And at the 24:42 mark he says the FS5 is not really a camera for using S-Log in 4K. then even he says (around the 22:00 mark) the FS5 S-Log2 and S-Log3 in 8-bit is far from ideal in color grading. If you had watched Alister Chapman's video. So yes, that IS crap color for the trouble of 4K resolution. Anyone who knows anything about chroma sub-sampling and bit depth understands that 4:2:0 and 8-bit is a common, consumer-level color acquisition. The Sony FS5 is expected to begin shipping to the masses in about two weeks, and it can be pre-ordered through B&H.Īctually the "degraded color" comment is not wrong at all. If you're interested in learning even more, and seeing a nice short documentary shot with the FS5, check out Cinema5D's first impressions and hands-on articles.
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